This article pretty much has ensured that I'll not be reading any of the books that he's discussing. I've obviously had a huge problem with anonymous sources in the MSM and Hanson shows that these writers essentially are using the same methods, but trying to come across as historical.
Three recent books about the "fiasco" in Iraq - "Cobra II" by Michael Gordon and Bernard Trainor, "State of Denial" by Bob Woodward and just plain "Fiasco" by Tom Ricks - have attracted a lot of attention, and sales. All three well-written exposes repeat the now well-known argument that our government's incompetence and arrogance have nearly ensured America's failure in birthing democracy in Iraq.andIt's worth noting, though, that many of the authors' critical portraits rely on private conversations and anonymous sources. The most damning informants in these books are never identified and so can't be questioned.
But by too often using only the veneer of the historical method, the authors of these three books give their work a patina of scholarly credibility that can confuse the reader. In "Cobra II," for example, some citations at the end of the book state that information came from a "former senior military officer," "former Centcom planner" or "U.S. State Department official."Read the rest. Hanson's analysis doesn't show favorably on the writers, and frankly, I don't find that especially surprising.In "Fiasco," often verbatim quotations are not cited with specific attribution, but only vaguely noted in the text as "said a Bush administration official" or "recalled one officer." Among the endnotes in "State of Denial," we are apprised, "The information in this chapter comes primarily from background interviews with seven knowledgeable sources."
But who are these "seven knowledgeable" sources? Since Woodward so far won't name them, how do we really know that they are "knowledgeable" or even "primarily" used? Is the answer because they talked to Woodward (and not to others?), or were pre-selected because they happened to agree with his own views?
In "Cobra II," we wonder why one "former Centcom planner" would talk while others (more numerous?) choose not to. And in "Fiasco," is the talkative but unnamed "Bush administration official" getting even at his rivals by offering only his interpretation of shared past conversations?
There are a number of other things wrong with all this gossip.
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